i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
                                                       i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart(i carry it in my heart)

e. e. cummings © 1952

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beakl wi'd

friday, 29 january 2021

the main BEAKL development test bed platform for the past two years has been the Chimera Ergo 42 and Corne 42 key keyboards. They both share the same codebase including all the layers with only a single configuration file directive required to distinguish the keyboards for ROM flashing.

The Planck and Splitography keyboards on the other hand have required separate updates of their codebase to incorporate the evolving functionality of BEAKL Wi – the Splitography more so than the Planck because it is designed primarily for use as a steno keyboard.

With the recent addition of togglable hexadecimal case, number pad brackets, pinkie finger stagger and smart delimiters, and refactoring of the BEAKL Wi codebase, an effort was made to more fully establish a common codebase across all these keyboards for ease of maintainability – the only difference being the specification of the keyboard layers unique to each keyboard.

planck

the Planck’s extra 6 bottom row keys are the distinguishable feature (from a software perspective), hence, it was integrated in a straightforward manner without difficulty. These extra keys are designated as one shot modifiers – for lack of any real use for the keys! The toggle layer keys are moved to the innermost columns to maximize the hand spread ergonomics..

Planck BEAKL Wi

Other than the seldom used one shot modifiers, everything else performs identically to the split keyboards, albeit with a more cramped feel.

splitography

the finger cluster for the Splitography, like the others, is the same but the 4 steno thumb keys require the addition of dual key press and dual thumb combinations to raise all the possible layers..

Splitography BEAKL Wi

layer left left left thumb right thumb right right
number X      
regex   X    
symbol     X  
cursor       X
fn X X    
mouse   X X  
capslock     X X

Similar to the Planck, the layer toggle keys are placed on the inside so the finger clusters rest on the outer columns. This provides the most comfortable thumb placement position. The light Matais keyswitches plus the flat steno keycaps make pressing both thumb keys simultaneously – a common steno action – easy to accomplish without effort.

For those unfamiliar with my Splitography development, Enter is facilitated with Shift Space – a surprisingly efficient chord. Because of that, the Splitography loses the paragraph or new line leader capitalization but retains all the other punctuation and Space leader capitalization shortcuts.

One change made different from previous Splitography BEAKL iterations is the duplication of the cursor keys on the Symbol Layer..

Splitography Symbol / Cursor Layer

This provides for quicker access as well as improved comfort. The original Cursor / Edit Layer remains and provides additional modifier chords in combination with the cursor keys (for Vim editing).

under the hood

the new consolidated codebase has been changed substantially from previous BEAKL layouts – even from the prior BEAKL Wi iterations (so code followers beware)!

The function library has actually been reduced with many keycode “primitives” replaced by inline macros. This has not been done to save CPU cycles – as the fastest typing possible does not come close to taxing the processor – but is a somewhat arbitrary decision to trade up some stack processing for an equivalent few extra bytes of space.

In other instances, statement macros have been defined to provide increased code readability whilst hiding unnecessary details. At least, that is the intent!

Macros have been used extensively in the keymap.c mainline to increase code density whilst reducing the code noise (of previously expanded statements) of common blocks of keycode processing. The hexadecimal keypad is a good example..

static bool hexcase = HEXADECIMAL_CASE; #define HEX(m, k, c) mod_roll(record, m, hexcase, k, c); break bool process_record_user(uint16_t keycode, keyrecord_t *record) { switch (keycode) { ... case HEX_A: HEX(0, KC_A, 1); case HEX_B: HEX(MOD_LALT | MOD_LCTL, KC_B, 2); //** case HEX_C: HEX(0, KC_C, 3); case HEX_D: HEX(KC_LCTL, KC_D, 1); case HEX_E: HEX(KC_LALT, KC_E, 2); case HEX_F: HEX(KC_LSFT, KC_F, 3); ...

**An example of deeper changes, functions previously accepting multiple modifier parameters to define modifier chords now accept a single modifier keycode or a modifier chord bitcode. This was inspired by earlier coding efforts to utilize a single modifier bitcode in place of multiple modifier keycodes but this ended up costing more CPU cycles (with additional code) to manage the active “mods” state – which this approach avoids with a simple localized modifier test..

static uint8_t mods = 0; #define MOD_BITS(k) if (KEY_DOWN) { mods |= MOD_BIT(k); } else { mods &= ~(MOD_BIT(k)); } #define MOD(k) register_code (k); MOD_BITS(k) #define UNMOD(k) unregister_code(k); MOD_BITS(k) // smart chording (0) none (KC_*) modifier keycode (MOD_* | ..) compound modifier bitcode #define CHORD(k) if (k) { if (IS_MOD(k)) { MOD(k); } else { register_mods((uint8_t) k); } } #define UNCHORD(k) if (k) { if (IS_MOD(k)) { UNMOD(k); } else { unregister_mods((uint8_t) k); } }

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saturday, 2 january 2021

fonts. Fonts. FONTS.

Without them, the keyboard layouts detailed here would all be rather moot. At least for me. A sort of the chicken or the egg dilemma. Keyboard keys might caress the fingers but fonts! They seduce the mind**. This site has touched lightly upon fonts and the deliciousness of fonts on e-readers.

Unlike more established sites, the darnedest thing is subject to the whimsy of its author. And so, entry into the new year, which seems to mean so much more in this year of 2021 after all that has transpired the year previous – hopefully never to be repeated (but which most assuredly will) – beckoned a wardrobe change to usher in the hopefulness a second chance brings. Nothing fancy. Font-size adjustments here and there. You will be hard pressed to notice.

The move from Advent Pro to Unica One for the subtitle headings better matches the block height of the subject title with a bit of a typeface flare to contrast the title’s geometric face. The font itself is best suited for short descriptions so found a good application with this page design – a purely subjective assessment here.

Few if any will notice.. but hopefully it continues to improve the graphic design of this site. And allows me to focus more on writing.. :-)

**Arguably content should be all that matters. Alas..

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